NEW YORK – When it turned into a night in Manhattan at New York Fashion Week, it proved that no one would stop (even if those heels hurt your feet).
The over-the-top ensemble and a mod-like atmosphere of the ’60s, the model is surrounded by a star-studded front row at Christian Cowan’s fashion show on Friday night.
Singer Sam Smith, who is dating Cowan, sat down with fellow singer-songwriter Kesha. Smith dressed in a dark suit from the runway, printed in oversized Burgundy polka dot pattens and whispered to Kesha on a regular basis. He paired the appearance with a perfect whisker, a curled mustache and unrimmed glasses.
Kesha wet and smoothed out her signature bleach blonde lock. She wore high-boots on the knees, a 90s-style black shade and a black lace get-up covered in an electric purple cape.
The two were in the front row by designer Jeffrey Williams, singer King Princess, actor Cole Escola, model Coco Rocha, singer Ali Lennox and singer Crystal Waters.
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Also found at the show were Anna Del Bey, a socialite who turned to fame after her revelation at Vanity Fair and her 2019 conviction against Grand Larsenny in 2019 .
After a brief stint on last year’s “Dancing with the Stars,” Delvey appeared on the show, combining a shredded sequin skirt with a beige tank top and ankle monitor.
The NYFW first took Delvey to the city and introduced her to the upper crust crowd she later scams.
Cowan, a British-born designer, has stopped the show at 7:30pm, one of his final presentations before the Afterparties began. Smith, Kesha, Williams and others were found at Casacy Priani in downtown Manhattan and were shoved into the VIP section of a raucous little dance party as the night progressed.
House Music’s legendary Waters, two dancers dressed in black vinyl and filled with energy, appearing on the stage of Fete, featuring “Gypsy Woman”, “100% Pure Love”, and “Destination Calabria” He performed classic dance music such as.
Like the party, Cowan’s Autumn/Winter 2025 collection is also a shocking and energetic anomaly from the traditional, when the model is paused and distorted, causing the robot to fall into motion, and the runway It was characterized by dramatics.
The same counterculture vibe existed in fashion itself, with models not teasing wigs, colour-pop patterns, and sometimes even stilettos as skirt fabrics.
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“Building this brand has been and continues to be the greatest joy of my life. I tell stories, explore aesthetics from commercials to avant-garde, and take my customers on a joyous journey. I had the opportunity to go with it,” Cowan said. Show notes. “In creating these collections, I worked with my incredible team and the Atelier to find my greatest joy.”
Contribution: Anika Reed